A cassette case

I have never written a post here on Mavericks. And I have now decided to break some traditions (yes, be a maverick and such). Content-wise, be adviced, this does not border anywhere on the brilliant & intricate music analyses done by my colleagues, yet my own five rupees and seventy five paise for Music Mavericks!

The first time when I listened to "Video killed the Radio star" by The Buggles, probably I was not in the right time and place for some soul searching. Ok, I will say, I was a lot younger. I now allow myself more often to go into the symbolic spirals of a flashback, a redux.

Getting to the point now, Audio Cassettes. I will be making a case FOR them today.

Though I have managed a monstrous collection of "Moving Picture Experts Group Layer-3 protocol compressed audio" (cough cough) or 'mp3s' of all imaginable genres, audio cassettes remain my favourite for the following reasons.

1. A cost-quality trade-off does not exist here.
What I preach - A cassette (say, Sony/BMG Crescendo/Magnasound) for 120 Rs and a CD (say, 200 Rs). I would not even bother a second thought for the CD. And knowing that an audio CD bit rate is a maximum of 44.1 kHz does not help your cause too. If it is a cassette, your listening experience is limited by your music system, not by the quality of the cassette (except of course some Echo, Supreme or Aditya releases)
What I do - I will buy a CD, so I can dump those songs in my computer and still share the joy with others. I believe it is akin to the choice between an ink-pen and a ball point pen. Damn me.
Rationale - So, I need to be more resolute in this case, which Iam sure will directly result, partly from my obstinacy and partly from my love for the old school.

2. I have too many of them to get rid of (if I ever plan to).
I have bought, begged, stole and acquired a few hundred cassettes until now. This would be nothing compared to the collections of Aakarsh or PRC, but a decent one in that.

3. Chromium Oxide wins over high bit rate.
Pitch a DVD quality audio, increase the bit rate, do whatever, it cannot beat the tape any day. Simply put in HMV's words - 'digital is like wearing a condom, nothing like the real thing' (they were referring to LP records though), but it applies here.

4. No playlists, Yes credits.
With due respect to the audio connoisseur in us, I understand that we like to sustain our mood by dumping our favourites in one list, conjuring up a mish-mash of Beatles, Devi Sri Prasad, Ilayaraja, Chopin and Ousepachan (sincerely, I did not make that up for the rhyme, he is a good Malayalam music director). But with cassettes, the plus is we dont forget great songs just because we did not like it or do not want to hear them so often. And proper audio warrants its own attention, no Skip, Next or even worse, Buffer! And if you are like me, while I enjoy the songs in my 'walkman', I keep staring at it and 'battify' the cassette credits. I digress here but if the cassette is from Echo or Sangeeta, I try to figure how bad/good the cut-paste patchwork is on the cassette. If it is ARR's there is whole compendium of credits telling us who played the 15 second oboe piece in that third song. That is good, and that we like, no?

5. Very Important. My proud acquired skill of rewinding cassettes with Reynold pens.
The standard white coloured 045 REYNOLDS FINE CARBURE has an eight-faced outer body and fits perfectly into an audio cassette wheel. I just need to know the side (A or B) and which way I want to go. Hold the pen and let the cassette rotate around it, in the right direction. I did this so much over the years, that I would stop between songs, such precision and intuition (*pats his own back). The feeling is that of a monk rotating his prayer drum. Good karma in the end. Its faster and it saves batteries.

6. Iam a sentimental and nostalgic bugger.
-- I like the scratchy noise and clucks when the cassette ages.

-- I like the experience when the batteries are running out.
[At about four-fifths of their life, the playing speed begins to drop, but is still inconspicuous. You ignore, but not long after, it is slower and you can tell, also by the little delay and the drag when you stop and start the walkman. You smile, insist, keep it running and then the sound balance slowly shifts towards one side until the stereo turns into a mono. You breathe deep, switch ears with the one phone but carry on. You then roll the cells vigorously between your palms to warm them up, later keep them in the sun for an hour. There is spring in the song one last time when the whining starts and then they die a slow death, finally! - new batteries? Yes, a new day and for a new song. Fellow Mavericks, since you all never found time nor could take up the case for the sentimental self in you, and put your feeling in words, I did it for you. You can thank me now (snigger)]

-- As I listen, share, exchange, make abstract art work on the cassette, I get attached to it. The look, the feel, the weight, the screech of the cassette cover when I close it, the smell, the cellophane tape that holds together broken pieces. It becomes a chronicle gently reminding me of times gone by. The same song feels different after a while. Songs dont change, we do. All in all it teaches us some big lessons which we often forget. To not let go of things just because they are old, to realise the beauty of what is in your hand rather than going after something that is virtual, easy, yet not retentive and most importantly that life goes around in circles.

*Iam banking on the comments section for some interesting opinions.